Public Gallery

Usuń ze zdjęcia krzesło na dole obrazu

Usuń ze zdjęcia kawałek krzesła

把图片衣服改成白色，参考提供的白色模特照片上衣颜色

把图片衣服改成白色，并用人台模特穿上，显示摆拍效果，复合电商卖点，生成电商图片

I want to see this person behind bars in prison with striped coveralls lookig desparate cryiong in hand cuffs and chains

宠物边几的宽的侧面为猫抓设计，窄的那一面修改为可以收纳的抽屉。修改为猫在宽的边几那面抓

宠物边几的左右侧面为猫抓设计，中间部分修改为可以收纳的抽屉。并且边几整体和沙发扶手紧贴在一起，中间没有空隙。

Create a completely different 9:16 vertical poster, 1080x1920, for a premium lesbian romance short drama. Feature TWO ADULT WOMEN ONLY. Adult Luna stands alone in a snowy European street at night, wearing an elegant ivory coat, tears in her eyes. Behind her, Raven suddenly appears through heavy falling snow, visibly exhausted and wounded, wearing a long black coat with subtle blood stains and a powerful mafia-boss presence. Luna turns around in shock and runs toward Raven. Capture the exact emotional moment before their reunion: Luna reaching toward Raven, Raven opening her arms, their faces filled with years of longing, regret and relief. Make it unmistakably romantic between two women. Background: abandoned European street, snowstorm, warm golden lights glowing from distant windows, cinematic winter atmosphere. Visual style: Scandinavian art-house romance mixed with Hollywood melodrama, desaturated blue-gray environment contrasted with warm skin tones, soft snowfall, atmospheric fog, shallow depth of field, emotional cinematic photography. No men anywhere. No wedding couple. No heterosexual symbolism. Large elegant title: BRINK OF CONTROL Tagline: AFTER FIVE YEARS, SHE FINALLY CAME HOME. Minimal typography, lots of negative space. Photorealistic, emotionally devastating, premium streaming-series poster. Single poster only, no collage, 9:16.

Create a premium 9:16 vertical overseas short drama poster, 1080x1920. Use the two women from the provided reference poster as the exact character appearance inspiration. The poster features TWO ADULT WOMEN ONLY, Raven Carter and adult Luna Robert, clearly portrayed as a lesbian romantic couple. Raven stands behind Luna with a powerful, protective posture. Raven is an elegant, intimidating mafia godmother wearing a perfectly tailored black suit, black leather gloves, diamond earrings, cold commanding eyes. Luna is an elegant young adult woman in a luxurious crimson silk dress, looking back at Raven with intense emotional attraction and vulnerability. Their faces are very close, almost touching, with unmistakable romantic chemistry between two women. Raven's hand gently rests around Luna's waist, clearly intimate but tasteful. Background: luxurious black-mansion interior, black marble, crystal chandelier, subtle mafia atmosphere, red roses, a distant city skyline at night. Visual style: high-end Hollywood mafia romance movie poster, dark luxury, cinematic lighting, deep black and burgundy palette, dramatic rim light, photorealistic, sophisticated, expensive, sensual but non-explicit. Composition: Raven and Luna dominate 70% of the poster, no male characters, no heterosexual couple, no third romantic character. Title at bottom: BRINK OF CONTROL Small tagline: SHE WAS NEVER SUPPOSED TO LOVE HER. Elegant cinematic typography, premium international streaming drama aesthetic. No collage, no multiple panels, one complete poster, 9:16.

**C17_END — “BƯỚC VỀ PHÍA TRƯỚC”** Create the cinematic END frame continuing DIRECTLY from the approved C17_BEGIN and C17_MIDDLE images. ### MASTER NAM — ABSOLUTE CHARACTER LOCK Use the exact same **MASTER NAM** from C17_BEGIN and C17_MIDDLE. Preserve exactly: * facial identity * age * hairstyle * body proportions * white long-sleeve shirt * black trousers * glasses * overall appearance Do not redesign, beautify, age or alter the character. His glasses must remain consistent with all previous scenes. ### STORY ACTION The man has now turned fully forward. He no longer looks back toward the river. He continues walking slowly along the wooden pier toward the brighter morning horizon. His shoulders are relaxed. His posture is calm and dignified. His steps are steady and natural. He carries the memory of the woman, but he is no longer waiting for her. The past remains behind him. The road ahead is open. ### EMOTIONAL DIRECTION This is not happiness yet. It is quiet acceptance. A subtle sense of peace begins to replace the sadness. His expression, seen partly in profile, should be calm and thoughtful. No smile. No tears. No dramatic sadness. The emotion is: **“Tôi vẫn nhớ em, nhưng tôi phải bước tiếp.”** ### COMPOSITION Cinematic wide-to-medium-wide composition. The man is positioned slightly left of center and walking away along the wooden pier. Show a long stretch of pier ahead of him. The river occupies the right side. The morning sun and bright horizon appear ahead. The traditional wooden boat is now clearly behind him, becoming a visual symbol of the past he is leaving. The woman's absence must remain absolute. ### CAMERA A gentle cinematic tracking shot from behind and slightly to the side. The camera follows his walking direction. His body remains oriented forward throughout the frame. No looking back. No sudden camera movement. No zoom. No camera shake. The composition should create a sense of forward movement and new possibility. ### ENVIRONMENT Same Vietnamese riverside village as C17_BEGIN and C17_MIDDLE. Wooden houses. Wooden pier. Traditional wooden boat behind him. Palm trees. Calm river. Soft morning mist gradually becoming thinner. Gentle breeze. Natural movement of his shirt and hair. Small natural ripples on the river. ### LIGHTING Soft early-morning golden sunlight. The light ahead of him is slightly brighter than in C17_MIDDLE. Warm natural highlights. Soft atmospheric haze. Realistic skin tones. Natural shadows. The brighter horizon should subtly symbolize a new chapter without becoming overly cheerful. ### VISUAL STYLE High-end Vietnamese sentimental music video. Photorealistic. Natural human proportions. Natural walking movement. Realistic skin texture. Realistic fabric and hair movement. Elegant cinematic composition. Nostalgic but quietly hopeful. Subtle depth of field. 16:9 widescreen. ### STRICT NEGATIVE PROMPT No MASTER NỮ. No woman anywhere in the scene. No ghost. No female reflection. No flashback. No dream effect. No new characters. No duplicate characters. No face morphing. No identity changes. No age changes. No hairstyle changes. No wardrobe changes. Do not remove or alter glasses. No looking back. No turning head toward the river. No smile. No crying dramatically. No tears. No dialogue. No lip-sync. No running. No waving. No dramatic gestures. No distorted hands. No distorted feet. No unnatural body proportions. No fantasy effects. No text. No subtitles. No logos. No watermark. ### TARGET EMOTION The man walks away from the riverside. He does not look back anymore. The old boat and river remain behind him. Morning light opens in front of him. He still remembers the woman, but he accepts that their journey together has ended. **He leaves the past behind and takes his first quiet step toward a new beginning.**

**C17_MIDDLE — “MANG THEO MỘT NỖI NHỚ”** Create the cinematic MIDDLE frame continuing DIRECTLY from the approved C17_BEGIN image. ### MASTER NAM — ABSOLUTE CHARACTER LOCK Use the exact **MASTER NAM** from C17_BEGIN and all previous approved scenes. Preserve exactly: * facial identity * age * hairstyle * body proportions * white long-sleeve shirt * black trousers * glasses * overall appearance The man's glasses must remain clearly visible and unchanged. No redesign. No beautification. No aging. No identity alteration. ### STORY ACTION The man has continued walking farther along the wooden riverside pier. He is now several steps away from the position shown in C17_BEGIN. His body is moving forward, but he briefly turns his head slightly toward the river. His expression is thoughtful and quietly emotional. He is not looking for the woman. He knows she is gone. He is simply carrying the memory of her with him. After this brief glance, his body remains oriented toward the path ahead. ### EMOTIONAL DIRECTION The emotional progression is: **C16 — remembering → C17_BEGIN — deciding to leave → C17_MIDDLE — learning to move forward.** His expression should show quiet acceptance with a trace of sadness. No smile. No crying. No dramatic sadness. The feeling should be mature, restrained and deeply human. ### COMPOSITION Cinematic medium shot. Show the man from approximately the waist up to three-quarter body. Position him slightly left of center. The wooden pier extends behind and ahead of him. The river remains visible on the right. The traditional wooden boat is now farther behind him, reinforcing that he is leaving the old place behind. The morning mist remains visible over the river. The brighter morning horizon occupies the background. ### CAMERA Camera moves gently from a rear three-quarter position toward a side/front three-quarter position. The movement should reveal more of his recognizable face while he continues walking. Very smooth cinematic tracking. No sudden camera movement. No zoom. No camera shake. ### ENVIRONMENT Same Vietnamese riverside village as C17_BEGIN. Wooden houses. Wooden pier. Traditional wooden boat. Palm trees. Calm river. Soft morning mist. Gentle breeze. Natural movement of his shirt and hair. Subtle water ripples. ### LIGHTING Soft early-morning sunlight. Warm but slightly brighter than C16. Natural golden highlights on his face and white shirt. Soft atmospheric haze. Realistic skin tones. Natural shadows. The lighting should subtly suggest hope without becoming cheerful. ### VISUAL STYLE High-end Vietnamese sentimental music video. Photorealistic. Natural human proportions. Natural walking posture. Natural facial expression. Realistic skin texture. Realistic clothing and hair movement. Elegant cinematic composition. Nostalgic but quietly hopeful. Subtle depth of field. 16:9 widescreen. ### STRICT NEGATIVE PROMPT No MASTER NỮ. No woman anywhere in the scene. No ghost. No female reflection. No flashback. No dream effect. No new characters. No duplicate characters. No face morphing. No identity changes. No age changes. No hairstyle changes. No wardrobe changes. Do not remove or alter glasses. No smile. No crying dramatically. No tears streaming down the face. No dialogue. No lip-sync. No running. No dramatic gestures. No distorted hands. No distorted feet. No unnatural body proportions. No fantasy effects. No text. No subtitles. No logos. No watermark. ### TARGET EMOTION The man is walking away from the riverside. He briefly looks toward the river one last time. Then he continues forward. He has not forgotten her. He has simply decided that he must keep walking. **The past remains behind him. The road ahead is waiting.**

**C17_BEGIN — “BƯỚC ĐI MANG THEO NỖI NHỚ”** Create a cinematic Vietnamese sentimental music-video scene continuing naturally after the approved C16_VIDEO. ### MASTER NAM — ABSOLUTE CHARACTER LOCK Use the exact **MASTER NAM** established throughout the entire MV. Preserve exactly: * facial identity * age * hairstyle * body proportions * white long-sleeve shirt * black trousers * glasses * overall appearance Do not redesign, beautify, age, or alter the character. His glasses must remain clearly visible and identical to previous scenes. ### STORY CONTINUITY The woman is completely absent. C16 ended with the man quietly facing the river and accepting that she is gone. Now, after a quiet passage of time, the man has decided to leave the riverside. He walks slowly along the wooden pier away from the water. His posture is calm and thoughtful. He carries no visible luggage. He is not running away. He is simply beginning to move forward with his life, while still carrying the memory of the woman in his heart. ### TIME & ATMOSPHERE Transition naturally from the sunset of C16 into an early peaceful morning. Soft dawn light over the same Vietnamese riverside village. A faint morning mist hangs above the river. The atmosphere is quiet, fresh and nostalgic. The change from sunset to dawn symbolizes a new beginning after the painful separation. ### ACTION The man takes slow, natural steps along the wooden pier. He briefly glances back toward the river, as though remembering the place where he last saw her. Then he gently turns forward and continues walking. No dramatic gesture. No crying. No calling her name. No expectation that she will return. ### EMOTION Quiet sadness mixed with acceptance and the first small feeling of moving forward. The emotional message is: **“Nỗi nhớ vẫn còn, nhưng cuộc đời phải tiếp tục.”** Keep the expression subtle, mature and dignified. ### COMPOSITION Cinematic medium-wide shot. The man is positioned slightly left of center, walking along the wooden pier. The river remains visible behind him. The traditional wooden boat is still present near the pier as a visual reminder of the previous scenes. The morning village appears softly in the background. Use the long wooden walkway as a leading line toward the brighter morning horizon. ### CAMERA Very gentle tracking shot moving with the man as he walks. Camera remains slightly behind and to his side. Allow the viewer to see his profile and recognizable face. Movement must be smooth and natural. No sudden zoom. No camera shake. No fast movement. ### ENVIRONMENT Same Vietnamese riverside village. Wooden houses. Wooden pier. Traditional wooden boat. Palm trees. Calm river. Light morning mist. Soft breeze. Subtle movement of leaves and shirt fabric. Natural water ripples. ### LIGHTING Soft early-morning golden light. Gentle sunlight beginning to illuminate the river and wooden houses. Natural skin tones. Soft shadows. Subtle atmospheric haze. A hopeful but still nostalgic visual tone. ### VISUAL STYLE High-end Vietnamese sentimental music video. Photorealistic. Natural human proportions. Natural walking motion. Realistic skin texture. Realistic clothing and hair movement. Elegant cinematic composition. Warm, soft morning atmosphere. Subtle depth of field. 16:9 widescreen. ### STRICT NEGATIVE PROMPT No MASTER NỮ. No woman anywhere in the scene. No ghost. No reflection of the woman. No flashback. No dream effect. No new characters. No duplicate characters. No face morphing. No identity changes. No age changes. No hairstyle changes. No wardrobe changes. Do not remove or alter glasses. No crying dramatically. No tears streaming down the face. No dialogue. No lip-sync. No running. No dramatic gestures. No distorted hands or feet. No unnatural body proportions. No fantasy effects. No text. No subtitles. No logos. No watermark. ### TARGET EMOTION After losing the woman, the man finally begins to leave the riverside. He looks back once at the place where their love ended. Then he turns forward. He walks into the soft morning light. **The memory remains behind him, but life continues ahead.**