Lighting correction pass only. Do not alter any geometry, materials, colours, planting, furniture, cushions, styling objects or camera position. Change the sun to low late-afternoon, coming from the left of frame and slightly behind the camera, raking along the length of the pavilion. Each timber rafter is to cast its own distinct shadow onto the ceiling plane and down the back wall, so the rafters read as separate deep members with clear shaded gaps between them — not as a flat ribbed surface. Long soft-edged shadows falling across the concrete floor and the kitchen bench. Deeper, richer shadow under the roof with warm bounced light, while the sunlit surfaces stay true white. Strong directional modelling with clear light-and-shade contrast, not flat even illumination. Sky remains a soft graded blue with light cloud, correctly exposed. Keep all white surfaces true white in sun and cool pale grey in shade — no yellow, tan or brown shift.

Lighting correction pass only. Do not alter any geometry, materials, colours, planting, furniture, cushions, styling objects or camera position.

Change the sun to low late-afternoon, coming from the left of frame and slightly behind the camera, raking along the length of the pavilion. Each timber rafter is to cast its own distinct shadow onto the ceiling plane and down the back wall, so the rafters read as separate deep members with clear shaded gaps between them — not as a flat ribbed surface.

Long soft-edged shadows falling across the concrete floor and the kitchen bench. Deeper, richer shadow under the roof with warm bounced light, while the sunlit surfaces stay true white. Strong directional modelling with clear light-and-shade contrast, not flat even illumination.

Sky remains a soft graded blue with light cloud, correctly exposed. Keep all white surfaces true white in sun and cool pale grey in shade — no yellow, tan or brown shift.
Katie Bovill

@Katie Bovill

Prompt

Lighting correction pass only. Do not alter any geometry, materials, colours, planting, furniture, cushions, styling objects or camera position. Change the sun to low late-afternoon, coming from the left of frame and slightly behind the camera, raking along the length of the pavilion. Each timber rafter is to cast its own distinct shadow onto the ceiling plane and down the back wall, so the rafters read as separate deep members with clear shaded gaps between them — not as a flat ribbed surface. Long soft-edged shadows falling across the concrete floor and the kitchen bench. Deeper, richer shadow under the roof with warm bounced light, while the sunlit surfaces stay true white. Strong directional modelling with clear light-and-shade contrast, not flat even illumination. Sky remains a soft graded blue with light cloud, correctly exposed. Keep all white surfaces true white in sun and cool pale grey in shade — no yellow, tan or brown shift.

Model

NANO-BANANA-PRO

Type

Image

Likes

0

Aspect Ratio

16/9

Reference Image

Actions

AI Tools