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C03 — HÌNH 03 — MASTER NAM BƯỚC ĐI BÊN DÒNG SÔNG USE BOTH REFERENCE IMAGES: 1. The uploaded MASTER MALE reference image. 2. C03_HÌNH 02 as the immediate previous frame. ABSOLUTE CHARACTER LOCK: The man MUST be the EXACT SAME MASTER MALE. Preserve exactly the same face, approximately 50-year-old appearance, eyes, nose, mouth, jawline, black hairstyle, eyeglasses, skin tone, body proportions and mature Vietnamese identity. DO NOT create a new man. DO NOT change his face. DO NOT make him younger. DO NOT remove his glasses. DO NOT change his hairstyle. SCENE CONTINUITY: This is the immediate next moment after C03_HÌNH 02. Keep exactly the same riverside location, wooden landing, river, riverside houses, coconut trees and warm golden-hour lighting. ACTION — VERY IMPORTANT: The MASTER MALE has FINISHED looking at the old photograph. HE HAS ALREADY PUT THE PHOTOGRAPH AWAY. THE PHOTOGRAPH MUST NOT BE IN HIS HANDS. THE PHOTOGRAPH MUST NOT BE VISIBLE ANYWHERE IN THIS FRAME. His hands are now completely free and naturally relaxed. He slowly walks away along the old wooden riverside landing. Show him naturally taking a few slow steps away from the place where he was standing. His body is turned slightly away from the camera. He then pauses and looks quietly toward the distant river. He does NOT look at the camera. His expression is calm, mature, nostalgic and thoughtful. BODY LANGUAGE: Natural walking posture. Relaxed shoulders. Natural arm movement while walking. Quiet dignity. Subtle sadness. No dramatic crying. No exaggerated emotion. CAMERA: Wide cinematic shot, slightly wider than C03_HÌNH 02. Show the MASTER MALE from a three-quarter rear/side angle. The wooden landing should lead naturally toward the river. The camera is positioned far enough away to clearly show that he has started walking. Leave generous negative space around him. The river should occupy a large portion of the frame. LIGHTING: Exactly the same warm late-afternoon golden-hour sunlight. Soft golden rim light around his hair and shoulders. Natural mature skin tones. Realistic shadows. Warm reflections on the river. MOOD: Loneliness. Nostalgia. Quiet acceptance. Longing. Mature romantic emotion. VISUAL STORY: He has put the old photograph away. He cannot change the past. He walks slowly beside the river, carrying the memory with him. The river continues flowing while he walks away. This visually represents a love that has become a memory. VISUAL STYLE: High-end cinematic Vietnamese romantic music video, photorealistic, realistic mature Vietnamese man, natural human anatomy, realistic walking posture, realistic fabric and hair, beautiful golden-hour cinematography, soft cinematic depth of field, subtle filmic atmosphere, 16:9 widescreen. CRITICAL NEGATIVE INSTRUCTIONS: NO PHOTOGRAPH IN HIS HANDS. NO PHOTOGRAPH VISIBLE IN THE FRAME. NO OBJECT IN HIS HANDS. DO NOT SHOW HIM HOLDING ANYTHING. No new male character. No younger face. No older face. No face morphing. No altered glasses. No altered hairstyle. No distorted hands. No extra fingers. No unnatural walking. No additional foreground people. No text. No subtitles. No logos. No watermark.

C03 — HÌNH 02 — MASTER NAM NHỚ NGƯỜI XƯA USE BOTH REFERENCE IMAGES: 1. The uploaded MASTER MALE reference image. 2. C03_HÌNH 01 A as the immediate previous scene reference. ABSOLUTE CHARACTER LOCK: The man MUST be the EXACT SAME MASTER MALE from the uploaded MASTER reference image and C03_HÌNH 01 A. Preserve exactly: * same face * same facial proportions * same approximately 50-year-old age * same eyes * same nose * same mouth * same jawline * same black hairstyle * same eyeglasses * same body proportions * same mature Vietnamese appearance DO NOT create a new man. DO NOT change his face. DO NOT make him younger. DO NOT make him older. DO NOT remove his glasses. DO NOT change his hairstyle. This is the permanent MASTER MALE protagonist of "ĐÒ TÌNH LỠ CHUYẾN". SCENE CONTINUITY: Create the immediate visual continuation of C03_HÌNH 01 A. The same Vietnamese riverside village. The same wooden landing. The same wide river. The same tropical coconut trees. The same riverside houses. The same late-afternoon golden-hour lighting. The environment must feel like the exact same moment and location. ACTION: The MASTER MALE is now standing slightly closer to the edge of the wooden landing. He slowly lowers his gaze toward a small old photograph that he is holding gently in one hand. The photograph represents the woman he loves. The photograph should be small and natural, not oversized and not clearly readable. He looks at it quietly. His eyes show restrained sadness and nostalgia. After a brief moment, he slowly raises his eyes toward the river again, as if remembering her. Do not make him cry dramatically. One subtle tear may be visible, but the emotion must remain controlled, mature and dignified. FACIAL EXPRESSION: Quiet longing. Deep memory. A man remembering someone he once loved. No smile. No exaggerated sadness. No theatrical expression. No direct eye contact with the camera. CLOTHING: Maintain the same simple light-colored long-sleeve shirt and dark trousers from C03_HÌNH 01 A. Do not change the clothing style or colors. CAMERA: Medium cinematic shot. Move slightly closer than C03_HÌNH 01 A. Natural three-quarter profile. The MASTER MALE's face should be clearly visible enough for the audience to recognize the MASTER character. Use shallow depth of field. Keep the river softly visible behind him. The camera may perform an extremely slow cinematic push-in. No sudden zoom. No handheld shake. LIGHTING: Exactly the same warm golden-hour sunlight as C03_HÌNH 01 A. Soft warm light on his face. Subtle rim light around his hair and shoulders. Natural mature skin texture. Beautiful golden reflections from the river. BACKGROUND: Same river. Same riverside houses. Same tropical vegetation. Same distant boat environment. Keep the background softly out of focus. MOOD: Nostalgic. Romantic. Lonely. Quiet. Deeply emotional but restrained. STORY: The audience now understands that the man beside the river is also remembering the woman. He is separated from her, just as she is separated from him. This is a memory, not a reunion. VISUAL STYLE: High-end cinematic Vietnamese romantic music video, photorealistic, natural Vietnamese environment, realistic mature male character, realistic skin and hair, natural fabric, soft cinematic depth of field, beautiful golden-hour cinematography, subtle filmic atmosphere, 16:9 widescreen. ABSOLUTE MASTER RULE: The MASTER MALE reference has priority over every scene instruction. If anything conflicts with the MASTER MALE appearance, ALWAYS preserve the MASTER MALE identity. No new male character. No younger face. No celebrity resemblance. No face morphing. No altered glasses. No altered hairstyle. No distorted hands. No extra fingers. No additional foreground people. No text. No subtitles. No logos. No watermark.

C03 — HÌNH 02 — MASTER NAM NHỚ NGƯỜI XƯA USE BOTH REFERENCE IMAGES: 1. The uploaded MASTER MALE reference image. 2. C03_HÌNH 01 A as the immediate previous scene reference. ABSOLUTE CHARACTER LOCK: The man MUST be the EXACT SAME MASTER MALE from the uploaded MASTER reference image and C03_HÌNH 01 A. Preserve exactly: * same face * same facial proportions * same approximately 50-year-old age * same eyes * same nose * same mouth * same jawline * same black hairstyle * same eyeglasses * same body proportions * same mature Vietnamese appearance DO NOT create a new man. DO NOT change his face. DO NOT make him younger. DO NOT make him older. DO NOT remove his glasses. DO NOT change his hairstyle. This is the permanent MASTER MALE protagonist of "ĐÒ TÌNH LỠ CHUYẾN". SCENE CONTINUITY: Create the immediate visual continuation of C03_HÌNH 01 A. The same Vietnamese riverside village. The same wooden landing. The same wide river. The same tropical coconut trees. The same riverside houses. The same late-afternoon golden-hour lighting. The environment must feel like the exact same moment and location. ACTION: The MASTER MALE is now standing slightly closer to the edge of the wooden landing. He slowly lowers his gaze toward a small old photograph that he is holding gently in one hand. The photograph represents the woman he loves. The photograph should be small and natural, not oversized and not clearly readable. He looks at it quietly. His eyes show restrained sadness and nostalgia. After a brief moment, he slowly raises his eyes toward the river again, as if remembering her. Do not make him cry dramatically. One subtle tear may be visible, but the emotion must remain controlled, mature and dignified. FACIAL EXPRESSION: Quiet longing. Deep memory. A man remembering someone he once loved. No smile. No exaggerated sadness. No theatrical expression. No direct eye contact with the camera. CLOTHING: Maintain the same simple light-colored long-sleeve shirt and dark trousers from C03_HÌNH 01 A. Do not change the clothing style or colors. CAMERA: Medium cinematic shot. Move slightly closer than C03_HÌNH 01 A. Natural three-quarter profile. The MASTER MALE's face should be clearly visible enough for the audience to recognize the MASTER character. Use shallow depth of field. Keep the river softly visible behind him. The camera may perform an extremely slow cinematic push-in. No sudden zoom. No handheld shake. LIGHTING: Exactly the same warm golden-hour sunlight as C03_HÌNH 01 A. Soft warm light on his face. Subtle rim light around his hair and shoulders. Natural mature skin texture. Beautiful golden reflections from the river. BACKGROUND: Same river. Same riverside houses. Same tropical vegetation. Same distant boat environment. Keep the background softly out of focus. MOOD: Nostalgic. Romantic. Lonely. Quiet. Deeply emotional but restrained. STORY: The audience now understands that the man beside the river is also remembering the woman. He is separated from her, just as she is separated from him. This is a memory, not a reunion. VISUAL STYLE: High-end cinematic Vietnamese romantic music video, photorealistic, natural Vietnamese environment, realistic mature male character, realistic skin and hair, natural fabric, soft cinematic depth of field, beautiful golden-hour cinematography, subtle filmic atmosphere, 16:9 widescreen. ABSOLUTE MASTER RULE: The MASTER MALE reference has priority over every scene instruction. If anything conflicts with the MASTER MALE appearance, ALWAYS preserve the MASTER MALE identity. No new male character. No younger face. No celebrity resemblance. No face morphing. No altered glasses. No altered hairstyle. No distorted hands. No extra fingers. No additional foreground people. No text. No subtitles. No logos. No watermark.

帮我生成照片，指定男生，女生原生五官（人脸相似度100%，禁止改脸型五官，保留原图发型，五官细节，皮肤质感），亲密情侣上半身自拍，女生半边口鼻被长袖布料遮挡，两人脸颊紧紧相贴，一同正视手机前置镜头，温柔浅笑，神态松弛幸福。［画面载体：iPhone相机实时取景LiveView界面］画面是另一只手机近距离翻拍苹果手机屏幕，屏幕内显示原生iPhone前置相机取景页面： 1。屏幕自带黄色人脸识别对焦方框框住两人面部； 2。底部保留原版相机UI：左侧慢动作，视频，黄色高亮「照片」，人像，全景文字按键，中间圆形快门键，左下角缩略小图，右下角翻转镜头图标，上方闪光灯，实况图标，收起箭头； 3。取景倍率标注1x,0.5/2倍切换圆点。 ［屏幕翻拍物理质感（必带细节）】.OLED屏幕细微像素颗粒，细碎摩尔纹，屏幕表面零散反光光斑； 。画面整体轻微不均匀屏幕亮度，暗光彩色数码噪点，细小颗粒杂色；。轻微手持拍摄手抖虚化，画面小幅度倾斜，屏幕边缘透视畸变，屏幕外圈轻微高光溢出现象； 。画面边缘露出一小圈黑色手机中框，侧角度抓拍，不是纯正面截图，杜绝样机/渲染/截图质感。［人物穿搭&造型］ 规则：完整保留衣服褶皱，面料肌理，不修改款式，颜色，材质。［光影画质&氛围］ 。室内弱暗光环境，暖调柔和室内漫射光，低照度居家环境； 。原生胶片颗粒质感，自然轻微数码噪点，局部微弱动态虚焦，复古日常随手 X禁用：影楼硬光，HDR高对比，过度锐化，美颜滤镜，AI光滑渲染，广告画报质感。［构图］ 取景聚焦手机屏幕主体，屏幕内情侣画面居中，仅保留上半身，紧凑近距离贴脸构图，生活化纪实抓拍。负面提示词（反向规避） 修改五官，换脸，面部变形，磨皮美颜，大眼睛幼态化，卡通画风，高清精修画报，纯截图无屏幕反光，无像素摩尔纹，影棚布光，超高锐度，HDR，夸张妆容，人物互相对视，面无表情，畸形肢体。

C03 — HÌNH 01 — MASTER NAM BÊN DÒNG SÔNG USE THE UPLOADED MASTER MALE IMAGE AS THE ABSOLUTE PRIMARY CHARACTER REFERENCE. CHARACTER IDENTITY IS LOCKED. The man in this scene MUST be the EXACT SAME Vietnamese man shown in the uploaded MASTER MALE reference image. DO NOT create a new man. DO NOT reinterpret the character. DO NOT replace the face. DO NOT make him younger. DO NOT make him older. Preserve the exact facial identity, facial proportions, eyes, nose, mouth, jawline, ears, hairstyle, glasses, skin tone, body proportions and overall appearance of the MASTER MALE. The MASTER MALE is approximately 50 years old. He is the permanent male protagonist of the music video "ĐÒ TÌNH LỠ CHUYẾN". CHARACTER LOCK: MASTER MALE = EXACT SAME PERSON. SCENE: This scene takes place immediately after C02, where the traditional Vietnamese wooden boat has traveled away across the river. The MASTER MALE now stands alone on an old wooden riverside landing. The setting is a peaceful Vietnamese river village during warm late-afternoon golden hour. The same wide river stretches into the distance. Traditional coconut palms, simple Vietnamese riverside houses and lush tropical vegetation line the riverbank. A very small traditional wooden boat may be visible far away on the river, connecting visually with C02. CHARACTER APPEARANCE: Use the exact MASTER MALE face from the uploaded reference. Keep his mature approximately 50-year-old appearance. Keep his black hair and glasses exactly consistent with the MASTER. For this scene, he wears a simple elegant light-colored long-sleeve shirt with the sleeves naturally rolled slightly at the forearms and dark trousers. The clothing may adapt to the riverside environment, but his face, hairstyle, glasses, age and identity MUST remain unchanged. ACTION: The MASTER MALE stands quietly at the end of the wooden landing. He looks toward the distant river. His expression is calm, mature and deeply thoughtful. He appears to be waiting for someone. His emotion is restrained: quiet longing, memory and loneliness. He does not cry. He does not smile. He does not look directly at the camera. His posture is natural and dignified. CAMERA: Medium-wide cinematic shot. Show the MASTER MALE in a natural three-quarter profile. The camera is slightly behind and to the side of him. Leave generous negative space in front of his gaze, showing the wide river. The river should occupy a large portion of the composition. LIGHTING: Warm late-afternoon golden-hour sunlight. Soft golden rim light around his hair and shoulders. Natural mature skin texture. Soft realistic shadows. Warm reflections from the river. Subtle atmospheric haze near the distant horizon. MOOD: Quiet longing. Nostalgia. Loneliness. Waiting. Mature romantic emotion. The emotion should be subtle and dignified, never theatrical. VISUAL STORY: This is the first appearance of the male protagonist after the boat leaves. The audience should understand that this man is connected to the woman seen earlier. He is standing beside the same river, carrying his own memories of her. The scene should feel like a memory from the past. VISUAL STYLE: High-end cinematic Vietnamese romantic music video, photorealistic, realistic Vietnamese riverside environment, natural human anatomy, realistic mature male skin texture, realistic hair, natural fabric, beautiful golden-hour cinematography, soft cinematic depth of field, subtle filmic atmosphere, 16:9 widescreen. ABSOLUTE MASTER CHARACTER RULE: The uploaded MASTER MALE reference image has priority over every other instruction concerning the man's appearance. If there is any conflict between the scene description and the MASTER reference, ALWAYS preserve the MASTER MALE identity. DO NOT: * create a different male face * change his age * remove or change his glasses * change his hairstyle * alter his facial proportions * change his ethnicity * make him look like a younger actor * make him look like a celebrity * introduce another male character No other foreground people. No modern city. No cars. No motorcycles. No fantasy elements. No text. No subtitles. No logos. No watermark.

C03 — HÌNH 01 — NGƯỜI ĐÀN ÔNG BÊN DÒNG SÔNG Create a cinematic photorealistic Vietnamese romantic music video frame. STORY CONTINUITY: This scene takes place immediately after C02, where a traditional wooden boat has traveled away across the river at late afternoon. The visual atmosphere should feel like the next chapter of the same Vietnamese love story. MAIN CHARACTER — CHARACTER LOCK: Create one Vietnamese man, approximately 35–40 years old. He has a calm, gentle and slightly weathered appearance. Natural masculine Vietnamese facial features. Medium-length neatly styled black hair. Warm natural skin tone. Thoughtful dark brown eyes. Clean-shaven or very light natural stubble. Average slim-to-medium build. His face must look realistic, distinctive and memorable, but not like a celebrity or recognizable public figure. IMPORTANT: This is the PRIMARY CHARACTER DESIGN for the male character. His face, age, hairstyle, body proportions and overall appearance must be kept consistent in all future scenes. CLOTHING: Simple, understated Vietnamese clothing suitable for a riverside village. A light beige or off-white long-sleeve shirt with the sleeves naturally rolled slightly at the forearms. Dark simple trousers. No modern fashion branding. No jewelry. No flashy accessories. SCENE: A quiet wooden riverside landing beside the same wide Vietnamese river seen in C02. The man stands alone near an old wooden pier during warm late-afternoon golden hour. The river stretches behind him. Traditional tropical vegetation and coconut palms line the distant riverbank. A few simple Vietnamese riverside houses are visible in the background. The boat from C02 has already traveled farther away and may appear as a very small distant shape on the river. ACTION: The man stands quietly at the edge of the wooden landing. He looks toward the distant river with a calm but deeply thoughtful expression, as if waiting for someone who may not come. His posture is natural and relaxed, but there is a subtle feeling of loneliness. He does not cry. He does not smile. His emotion is restrained and dignified. CAMERA: Medium-wide cinematic shot. Camera positioned slightly behind and to the side of the man, showing his face in a natural three-quarter profile. The river should remain an important part of the composition. Leave generous negative space toward the direction he is looking, suggesting that he is waiting for someone beyond the frame. LIGHTING: Warm late-afternoon golden-hour sunlight. Soft golden rim light around his hair and shoulders. Natural warm skin tones. Gentle shadows across his face. Subtle atmospheric haze over the river. MOOD: Quiet longing. Nostalgia. Loneliness. Waiting. A love remembered but not spoken. VISUAL STORY: The woman has been remembering him. Now the audience sees him for the first time, standing alone beside the same river. The audience should feel that these two people are emotionally connected even though they are physically separated. VISUAL STYLE: High-end cinematic Vietnamese romantic music video, photorealistic, natural Vietnamese environment, realistic human anatomy, realistic skin texture, realistic hair, natural fabric, soft cinematic depth of field, beautiful golden-hour cinematography, subtle filmic atmosphere, 16:9 widescreen. IMPORTANT CHARACTER CONSISTENCY: This man's face is now the permanent visual identity for the male character in the story. Do not change his facial structure. Do not change his age. Do not change his hairstyle. Do not change his body proportions. Do not change his clothing style. No celebrity resemblance. No famous person. No other people in the foreground. No modern city. No motorcycles. No cars. No fantasy elements. No text. No subtitles. No logos. No watermark.

Make her to see the full body or to waist and the foto has to be in her room and its like dark room with white lights

Une personne style horrifique peur horreur a utiliser comme screameur dans mon jeu

Using the reference image, enhance the scene with highly realistic ocean interaction. Add white sea foam and dynamic waves forming naturally around the hull and trailing in the wake, with subtle greenish tones mixed into the foam where the water is aerated. The water surface should show realistic wave patterns, depth, and motion. Preserve accurate scale and physics of water displacement. Materials and textures on the vessel should appear fully realistic: painted GRP hull with correct roughness, subtle wear, and reflections; matte and semi-gloss surfaces behaving naturally in daylight. Apply photorealistic natural lighting with soft daylight, physically correct reflections, realistic shadows, and accurate color balance. The final result should look like a real photograph of a working vessel at sea, no stylization, no CGI look, ultra-high realism.

Создай видео где я танцую задом и дует ветер это должно быть видео

Using the reference image, enhance the scene with highly realistic ocean interaction. Add white sea foam and dynamic waves forming naturally around the hull and trailing in the wake, with subtle greenish tones mixed into the foam where the water is aerated. The water surface should show realistic wave patterns, depth, and motion. Preserve accurate scale and physics of water displacement. Materials and textures on the vessel should appear fully realistic: painted GRP hull with correct roughness, subtle wear, and reflections; matte and semi-gloss surfaces behaving naturally in daylight. Apply photorealistic natural lighting with soft daylight, physically correct reflections, realistic shadows, and accurate color balance. The final result should look like a real photograph of a working vessel at sea, no stylization, no CGI look, ultra-high realism.

Напиши буквы А и Х неоновыми буквами на черном фоне так,чтобы Х было внутри А,вот прямо в центре