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C03 — HÌNH 03 — MASTER NAM BƯỚC ĐI BÊN DÒNG SÔNG USE BOTH REFERENCE IMAGES: 1. The uploaded MASTER MALE reference image. 2. C03_HÌNH 02 as the immediate previous frame. ABSOLUTE CHARACTER LOCK: The man MUST be the EXACT SAME MASTER MALE. Preserve exactly the same face, approximately 50-year-old appearance, eyes, nose, mouth, jawline, black hairstyle, eyeglasses, skin tone, body proportions and mature Vietnamese identity. DO NOT create a new man. DO NOT change his face. DO NOT make him younger. DO NOT remove his glasses. DO NOT change his hairstyle. SCENE CONTINUITY: This is the immediate next moment after C03_HÌNH 02. Keep exactly the same riverside location, wooden landing, river, riverside houses, coconut trees and warm golden-hour lighting. ACTION — VERY IMPORTANT: The MASTER MALE has FINISHED looking at the old photograph. HE HAS ALREADY PUT THE PHOTOGRAPH AWAY. THE PHOTOGRAPH MUST NOT BE IN HIS HANDS. THE PHOTOGRAPH MUST NOT BE VISIBLE ANYWHERE IN THIS FRAME. His hands are now completely free and naturally relaxed. He slowly walks away along the old wooden riverside landing. Show him naturally taking a few slow steps away from the place where he was standing. His body is turned slightly away from the camera. He then pauses and looks quietly toward the distant river. He does NOT look at the camera. His expression is calm, mature, nostalgic and thoughtful. BODY LANGUAGE: Natural walking posture. Relaxed shoulders. Natural arm movement while walking. Quiet dignity. Subtle sadness. No dramatic crying. No exaggerated emotion. CAMERA: Wide cinematic shot, slightly wider than C03_HÌNH 02. Show the MASTER MALE from a three-quarter rear/side angle. The wooden landing should lead naturally toward the river. The camera is positioned far enough away to clearly show that he has started walking. Leave generous negative space around him. The river should occupy a large portion of the frame. LIGHTING: Exactly the same warm late-afternoon golden-hour sunlight. Soft golden rim light around his hair and shoulders. Natural mature skin tones. Realistic shadows. Warm reflections on the river. MOOD: Loneliness. Nostalgia. Quiet acceptance. Longing. Mature romantic emotion. VISUAL STORY: He has put the old photograph away. He cannot change the past. He walks slowly beside the river, carrying the memory with him. The river continues flowing while he walks away. This visually represents a love that has become a memory. VISUAL STYLE: High-end cinematic Vietnamese romantic music video, photorealistic, realistic mature Vietnamese man, natural human anatomy, realistic walking posture, realistic fabric and hair, beautiful golden-hour cinematography, soft cinematic depth of field, subtle filmic atmosphere, 16:9 widescreen. CRITICAL NEGATIVE INSTRUCTIONS: NO PHOTOGRAPH IN HIS HANDS. NO PHOTOGRAPH VISIBLE IN THE FRAME. NO OBJECT IN HIS HANDS. DO NOT SHOW HIM HOLDING ANYTHING. No new male character. No younger face. No older face. No face morphing. No altered glasses. No altered hairstyle. No distorted hands. No extra fingers. No unnatural walking. No additional foreground people. No text. No subtitles. No logos. No watermark.

C03 — HÌNH 03 — MASTER NAM BƯỚC ĐI BÊN DÒNG SÔNG USE BOTH REFERENCE IMAGES: 1. The uploaded MASTER MALE reference image. 2. C03_HÌNH 02 as the immediate previous frame. ABSOLUTE CHARACTER LOCK: The man MUST be the EXACT SAME MASTER MALE. Preserve exactly the same face, approximately 50-year-old appearance, eyes, nose, mouth, jawline, black hairstyle, eyeglasses, skin tone, body proportions and mature Vietnamese identity. DO NOT create a new man. DO NOT change his face. DO NOT make him younger. DO NOT remove his glasses. DO NOT change his hairstyle. SCENE CONTINUITY: This is the immediate next moment after C03_HÌNH 02. Keep exactly the same riverside location, wooden landing, river, riverside houses, coconut trees and warm golden-hour lighting. ACTION — VERY IMPORTANT: The MASTER MALE has FINISHED looking at the old photograph. HE HAS ALREADY PUT THE PHOTOGRAPH AWAY. THE PHOTOGRAPH MUST NOT BE IN HIS HANDS. THE PHOTOGRAPH MUST NOT BE VISIBLE ANYWHERE IN THIS FRAME. His hands are now completely free and naturally relaxed. He slowly walks away along the old wooden riverside landing. Show him naturally taking a few slow steps away from the place where he was standing. His body is turned slightly away from the camera. He then pauses and looks quietly toward the distant river. He does NOT look at the camera. His expression is calm, mature, nostalgic and thoughtful. BODY LANGUAGE: Natural walking posture. Relaxed shoulders. Natural arm movement while walking. Quiet dignity. Subtle sadness. No dramatic crying. No exaggerated emotion. CAMERA: Wide cinematic shot, slightly wider than C03_HÌNH 02. Show the MASTER MALE from a three-quarter rear/side angle. The wooden landing should lead naturally toward the river. The camera is positioned far enough away to clearly show that he has started walking. Leave generous negative space around him. The river should occupy a large portion of the frame. LIGHTING: Exactly the same warm late-afternoon golden-hour sunlight. Soft golden rim light around his hair and shoulders. Natural mature skin tones. Realistic shadows. Warm reflections on the river. MOOD: Loneliness. Nostalgia. Quiet acceptance. Longing. Mature romantic emotion. VISUAL STORY: He has put the old photograph away. He cannot change the past. He walks slowly beside the river, carrying the memory with him. The river continues flowing while he walks away. This visually represents a love that has become a memory. VISUAL STYLE: High-end cinematic Vietnamese romantic music video, photorealistic, realistic mature Vietnamese man, natural human anatomy, realistic walking posture, realistic fabric and hair, beautiful golden-hour cinematography, soft cinematic depth of field, subtle filmic atmosphere, 16:9 widescreen. CRITICAL NEGATIVE INSTRUCTIONS: NO PHOTOGRAPH IN HIS HANDS. NO PHOTOGRAPH VISIBLE IN THE FRAME. NO OBJECT IN HIS HANDS. DO NOT SHOW HIM HOLDING ANYTHING. No new male character. No younger face. No older face. No face morphing. No altered glasses. No altered hairstyle. No distorted hands. No extra fingers. No unnatural walking. No additional foreground people. No text. No subtitles. No logos. No watermark.
fred Tran

@fred Tran

Prompt

C03 — HÌNH 03 — MASTER NAM BƯỚC ĐI BÊN DÒNG SÔNG USE BOTH REFERENCE IMAGES: 1. The uploaded MASTER MALE reference image. 2. C03_HÌNH 02 as the immediate previous frame. ABSOLUTE CHARACTER LOCK: The man MUST be the EXACT SAME MASTER MALE. Preserve exactly the same face, approximately 50-year-old appearance, eyes, nose, mouth, jawline, black hairstyle, eyeglasses, skin tone, body proportions and mature Vietnamese identity. DO NOT create a new man. DO NOT change his face. DO NOT make him younger. DO NOT remove his glasses. DO NOT change his hairstyle. SCENE CONTINUITY: This is the immediate next moment after C03_HÌNH 02. Keep exactly the same riverside location, wooden landing, river, riverside houses, coconut trees and warm golden-hour lighting. ACTION — VERY IMPORTANT: The MASTER MALE has FINISHED looking at the old photograph. HE HAS ALREADY PUT THE PHOTOGRAPH AWAY. THE PHOTOGRAPH MUST NOT BE IN HIS HANDS. THE PHOTOGRAPH MUST NOT BE VISIBLE ANYWHERE IN THIS FRAME. His hands are now completely free and naturally relaxed. He slowly walks away along the old wooden riverside landing. Show him naturally taking a few slow steps away from the place where he was standing. His body is turned slightly away from the camera. He then pauses and looks quietly toward the distant river. He does NOT look at the camera. His expression is calm, mature, nostalgic and thoughtful. BODY LANGUAGE: Natural walking posture. Relaxed shoulders. Natural arm movement while walking. Quiet dignity. Subtle sadness. No dramatic crying. No exaggerated emotion. CAMERA: Wide cinematic shot, slightly wider than C03_HÌNH 02. Show the MASTER MALE from a three-quarter rear/side angle. The wooden landing should lead naturally toward the river. The camera is positioned far enough away to clearly show that he has started walking. Leave generous negative space around him. The river should occupy a large portion of the frame. LIGHTING: Exactly the same warm late-afternoon golden-hour sunlight. Soft golden rim light around his hair and shoulders. Natural mature skin tones. Realistic shadows. Warm reflections on the river. MOOD: Loneliness. Nostalgia. Quiet acceptance. Longing. Mature romantic emotion. VISUAL STORY: He has put the old photograph away. He cannot change the past. He walks slowly beside the river, carrying the memory with him. The river continues flowing while he walks away. This visually represents a love that has become a memory. VISUAL STYLE: High-end cinematic Vietnamese romantic music video, photorealistic, realistic mature Vietnamese man, natural human anatomy, realistic walking posture, realistic fabric and hair, beautiful golden-hour cinematography, soft cinematic depth of field, subtle filmic atmosphere, 16:9 widescreen. CRITICAL NEGATIVE INSTRUCTIONS: NO PHOTOGRAPH IN HIS HANDS. NO PHOTOGRAPH VISIBLE IN THE FRAME. NO OBJECT IN HIS HANDS. DO NOT SHOW HIM HOLDING ANYTHING. No new male character. No younger face. No older face. No face morphing. No altered glasses. No altered hairstyle. No distorted hands. No extra fingers. No unnatural walking. No additional foreground people. No text. No subtitles. No logos. No watermark.

Modèle

GPT-IMAGE-2

Type

Image

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0

Format

16/9

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