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Di tendenza ora

Lighting correction pass only. Do not alter any geometry, materials, colours, planting, furniture, cushions, styling objects or camera position. Change the sun to low late-afternoon, coming from the left of frame and slightly behind the camera, raking along the length of the pavilion. Each timber rafter is to cast its own distinct shadow onto the ceiling plane and down the back wall, so the rafters read as separate deep members with clear shaded gaps between them — not as a flat ribbed surface. Long soft-edged shadows falling across the concrete floor and the kitchen bench. Deeper, richer shadow under the roof with warm bounced light, while the sunlit surfaces stay true white. Strong directional modelling with clear light-and-shade contrast, not flat even illumination. Sky remains a soft graded blue with light cloud, correctly exposed. Keep all white surfaces true white in sun and cool pale grey in shade — no yellow, tan or brown shift.
Di tendenza #1nano-banana-pro

Lighting correction pass only. Do not alter any geometry, materials, colours, planting, furniture, cushions, styling objects or camera position. Change the sun to low late-afternoon, coming from the left of frame and slightly behind the camera, raking along the length of the pavilion. Each timber rafter is to cast its own distinct shadow onto the ceiling plane and down the back wall, so the rafters read as separate deep members with clear shaded gaps between them — not as a flat ribbed surface. Long soft-edged shadows falling across the concrete floor and the kitchen bench. Deeper, richer shadow under the roof with warm bounced light, while the sunlit surfaces stay true white. Strong directional modelling with clear light-and-shade contrast, not flat even illumination. Sky remains a soft graded blue with light cloud, correctly exposed. Keep all white surfaces true white in sun and cool pale grey in shade — no yellow, tan or brown shift.

Katie Bovill@Katie Bovill
Photorealistic architectural photograph, Hasselblad H6D-100c medium format. Geometry locked to the reference image — do not move, resize, add or remove any built element. Do not alter the roof form, rafter spacing, post positions, bench, banquette, table, oven, pool shape or coping line. Covered outdoor pavilion beside a plunge pool, bright and white. White painted exposed timber rafters on a skillion roof. Rendered masonry kitchen and built-in banquette in a clean warm white mineral render — true white with only the faintest warmth, never taupe, beige, sand or cream. The banquette is a solid rendered masonry bench built integrally into the wall, reading as one continuous carved mass with the wall behind it — no visible joint, no separate freestanding furniture. Timber cabinet fronts and the boundary screen fence in a pale lime-washed grey-tan, not orange. Concrete floor soft grey-white and matt, no gloss or sheen, no beige cast. Waterline mosaic soft green-grey, water clear pale aqua. Banquette seat and back cushions in a mushroom taupe linen — soft matt natural weave with visible texture, warm mid-tone greige. Cushions are the only taupe element in the image. White balance is critical: all render, painted timber and concrete must read as white in sunlight and cool pale grey in shadow. Do not shift whites toward yellow, tan or brown, and do not let the taupe cushion tone bleed onto the surrounding render. The timber cabinetry, fence and cushions are the only warm-toned surfaces. Late afternoon sun raking low across the pavilion from the left, throwing long soft rafter shadows down the kitchen bench and back wall. Sky correctly exposed — a soft graded blue with light cloud, not blown white. Bright, high-key, airy exposure — luminous rather than moody, shadows open and soft-edged. Sculptural planting with strong silhouettes — Strelitzia with broad upright paddle leaves, soft-leafed Agave attenuata, dark glossy structural foliage in the concrete pots. Retain existing plant positions, heights and shadow placement exactly. Planting genuinely green and sunlit with soft natural depth-of-field falloff — explicitly avoid haze, smoke or fog. Soften hard edges on rafter arrises, bench returns, banquette corners and the oven arch. Introduce subtle natural imperfection: tonal variation in the render, faint surface texture on the concrete floor, soft imperfect shadows. Camera-realistic depth-of-field, sharpest focus on the kitchen bench.
Di tendenza #2nano-banana-pro

Photorealistic architectural photograph, Hasselblad H6D-100c medium format. Geometry locked to the reference image — do not move, resize, add or remove any built element. Do not alter the roof form, rafter spacing, post positions, bench, banquette, table, oven, pool shape or coping line. Covered outdoor pavilion beside a plunge pool, bright and white. White painted exposed timber rafters on a skillion roof. Rendered masonry kitchen and built-in banquette in a clean warm white mineral render — true white with only the faintest warmth, never taupe, beige, sand or cream. The banquette is a solid rendered masonry bench built integrally into the wall, reading as one continuous carved mass with the wall behind it — no visible joint, no separate freestanding furniture. Timber cabinet fronts and the boundary screen fence in a pale lime-washed grey-tan, not orange. Concrete floor soft grey-white and matt, no gloss or sheen, no beige cast. Waterline mosaic soft green-grey, water clear pale aqua. Banquette seat and back cushions in a mushroom taupe linen — soft matt natural weave with visible texture, warm mid-tone greige. Cushions are the only taupe element in the image. White balance is critical: all render, painted timber and concrete must read as white in sunlight and cool pale grey in shadow. Do not shift whites toward yellow, tan or brown, and do not let the taupe cushion tone bleed onto the surrounding render. The timber cabinetry, fence and cushions are the only warm-toned surfaces. Late afternoon sun raking low across the pavilion from the left, throwing long soft rafter shadows down the kitchen bench and back wall. Sky correctly exposed — a soft graded blue with light cloud, not blown white. Bright, high-key, airy exposure — luminous rather than moody, shadows open and soft-edged. Sculptural planting with strong silhouettes — Strelitzia with broad upright paddle leaves, soft-leafed Agave attenuata, dark glossy structural foliage in the concrete pots. Retain existing plant positions, heights and shadow placement exactly. Planting genuinely green and sunlit with soft natural depth-of-field falloff — explicitly avoid haze, smoke or fog. Soften hard edges on rafter arrises, bench returns, banquette corners and the oven arch. Introduce subtle natural imperfection: tonal variation in the render, faint surface texture on the concrete floor, soft imperfect shadows. Camera-realistic depth-of-field, sharpest focus on the kitchen bench.

Katie Bovill@Katie Bovill
Photorealistic architectural photograph, Hasselblad H6D-100c medium format. Geometry locked to the reference image — do not move, resize, add or remove any built element. Do not alter the pool shape, coping line, wall positions, fence extent, roof forms or planter locations. Coastal courtyard plunge pool, bright and white. Rendered masonry boundary walls in a clean warm white mineral render — true white with only the faintest warmth, never taupe, beige, sand or cream. Pool surround in monolithic honed concrete, soft grey-white and matt, no gloss or sheen, no beige cast. Waterline mosaic in a soft green-grey. Water clear pale aqua with gentle caustics. White balance is critical: all render and concrete surfaces must read as white in sunlight and cool pale grey in shadow. Do not shift whites toward yellow, tan or brown. The timber screen fence is the only warm-toned surface in the image — pale lime-washed grey-tan, not orange. Sculptural low-maintenance planting with strong architectural silhouettes — Strelitzia nicolai with broad upright paddle leaves as the vertical accents, soft-leafed Agave attenuata in clumps, silver-blue Lomandra with fine arching foliage, Senecio blue chalk sticks as groundcover, and dark glossy structural foliage between. Deep green and blue-grey tones. No flowering cottage plants, no lavender, no rosemary, no olive trees. Retain existing plant positions, heights, spread and shadow placement exactly. Late morning sun, clear blue sky with light high cloud. Bright, high-key, airy exposure — luminous rather than moody, shadows open and soft-edged, with crisp sculptural leaf shadows falling across the white wall. Planting genuinely green and sunlit with soft natural depth-of-field falloff — explicitly avoid haze, smoke or fog. Soften hard edges on wall arrises, coping and pot rims. Introduce subtle natural imperfection: tonal variation in the render, faint surface texture, soft imperfect shadows. Camera-realistic depth-of-field, sharpest focus on the near pool coping.
Di tendenza #3nano-banana-pro

Photorealistic architectural photograph, Hasselblad H6D-100c medium format. Geometry locked to the reference image — do not move, resize, add or remove any built element. Do not alter the pool shape, coping line, wall positions, fence extent, roof forms or planter locations. Coastal courtyard plunge pool, bright and white. Rendered masonry boundary walls in a clean warm white mineral render — true white with only the faintest warmth, never taupe, beige, sand or cream. Pool surround in monolithic honed concrete, soft grey-white and matt, no gloss or sheen, no beige cast. Waterline mosaic in a soft green-grey. Water clear pale aqua with gentle caustics. White balance is critical: all render and concrete surfaces must read as white in sunlight and cool pale grey in shadow. Do not shift whites toward yellow, tan or brown. The timber screen fence is the only warm-toned surface in the image — pale lime-washed grey-tan, not orange. Sculptural low-maintenance planting with strong architectural silhouettes — Strelitzia nicolai with broad upright paddle leaves as the vertical accents, soft-leafed Agave attenuata in clumps, silver-blue Lomandra with fine arching foliage, Senecio blue chalk sticks as groundcover, and dark glossy structural foliage between. Deep green and blue-grey tones. No flowering cottage plants, no lavender, no rosemary, no olive trees. Retain existing plant positions, heights, spread and shadow placement exactly. Late morning sun, clear blue sky with light high cloud. Bright, high-key, airy exposure — luminous rather than moody, shadows open and soft-edged, with crisp sculptural leaf shadows falling across the white wall. Planting genuinely green and sunlit with soft natural depth-of-field falloff — explicitly avoid haze, smoke or fog. Soften hard edges on wall arrises, coping and pot rims. Introduce subtle natural imperfection: tonal variation in the render, faint surface texture, soft imperfect shadows. Camera-realistic depth-of-field, sharpest focus on the near pool coping.

Katie Bovill@Katie Bovill
Use my uploaded photo as the **primary and definitive identity reference**. Create an ultra-realistic photograph of **me**, preserving my exact facial identity and appearance. **IDENTITY ACCURACY IS THE HIGHEST PRIORITY.** My face must look unmistakably like the person in the reference photo. Preserve my exact facial structure, face shape, proportions, eyes, eyebrows, nose, lips, jawline, cheekbones, skin tone, hair texture, hairline, and natural features. Do not make me look like a different person. Do not beautify, idealise, slim, masculinise/feminise, age, or alter my facial features. Keep my natural appearance exactly as shown in the reference. The result should look like a real photograph of me taken in a professional photobooth. Create a **9-panel vertical photobooth contact sheet / photo strip**, arranged as a clean **3 × 3 grid**, inspired by the uploaded example. Each panel should look like an individual instant-film/photobooth photograph, with consistent lighting, camera quality, background, clothing, and identity across all nine images. ### Overall visual style * Ultra-photorealistic, high-end DSLR photography * Realistic skin texture, pores, fine facial hairs and natural imperfections * Realistic hair strands and texture * Natural photographic depth and lighting * White/off-white studio wall background * Soft, even studio flash lighting * Slight authentic film grain * Subtle analog/instant-camera character * Crisp but not artificially sharpened * Realistic shadows and reflections * Authentic printed photobooth/contact-sheet appearance * Thin white borders separating each photograph * Slightly imperfect candid expressions rather than polished fashion photography * No CGI appearance, no illustration, no cartoon effect, no plastic skin ### Clothing Keep me wearing a simple **black hoodie**, similar to the reference image. The hoodie should look like real fabric with natural folds and texture. Keep the outfit consistent throughout all nine panels. ### Helmet Include a **bright neon/lime green Formula 1-style racing helmet** with black graphic patterns and realistic glossy reflections. The helmet should look like a real professional racing helmet, with: * glossy neon green shell * intricate black graphic patterns * realistic visor * realistic ventilation details * authentic helmet proportions * realistic reflections from the studio lights **Do not copy any specific driver's face, branding, signature, or identity.** The helmet should simply have the same general neon-green, playful racing aesthetic as the reference. ### 9 individual poses **Panel 1:** I face the camera normally with a relaxed, slightly playful expression. Natural eye contact with the camera. **Panel 2:** I hold the racing helmet beside my head, partially covering one side of my face. My expression is playful and slightly mischievous. **Panel 3:** I hold the helmet directly in front of most of my face, with only part of my face visible. One hand is naturally positioned around the helmet. **Panel 4:** The helmet is slightly above/away from me while I look upward toward it with a surprised, amused expression. One hand is raised as if reacting to it. **Panel 5:** Place the helmet playfully on top of my head like a hat. I look directly at the camera with a subtle amused smile. Make sure the helmet sits naturally on my head and does not distort my head or face. **Panel 6:** I pose with both hands against my cheeks, making a cute/playful surprised expression. The helmet is not covering my face. **Panel 7:** I turn slightly away from the camera while wearing the helmet, showing the back/side of the helmet. My face should be mostly hidden naturally. **Panel 8:** I hold the helmet close to the camera in the foreground while my face is visible behind it. Use realistic photographic depth of field: helmet slightly closer/larger, my face naturally in focus enough to remain recognisable. **Panel 9:** I playfully hide most of my face behind the helmet, with only part of my face and one eye visible. Keep the pose candid and natural. ### IMPORTANT IDENTITY RULES Use the uploaded reference photo to maintain my identity across **every single panel**. My identity must remain completely consistent from panel to panel. Do not generate nine different versions of me. Do NOT: * change my facial structure * change my skin tone * change my eye shape or colour * change my nose or lips * change my jawline * change my face shape * change my natural hair texture or hairline * make me thinner or more conventionally attractive * add makeup unless it is already visible in my reference photo * smooth my skin excessively * create a generic AI face * blend my face with another person's features * introduce asymmetry or facial distortions * create extra fingers or malformed hands * distort the helmet * distort the eyes or facial features * make the images look AI-generated The final result should genuinely look like **a real 9-photo photobooth strip of me**, photographed in a studio with the same person, same appearance, same clothing, and same realistic photographic characteristics throughout. **Composition:** 3 columns × 3 rows, all nine panels fully visible, evenly aligned, consistent white borders, portrait-oriented photographs, clean contact-sheet layout. **Final priority:** photorealism + exact identity preservation + natural expressions + realistic helmet + authentic photobooth photography.
Di tendenza #4nano-banana

Use my uploaded photo as the **primary and definitive identity reference**. Create an ultra-realistic photograph of **me**, preserving my exact facial identity and appearance. **IDENTITY ACCURACY IS THE HIGHEST PRIORITY.** My face must look unmistakably like the person in the reference photo. Preserve my exact facial structure, face shape, proportions, eyes, eyebrows, nose, lips, jawline, cheekbones, skin tone, hair texture, hairline, and natural features. Do not make me look like a different person. Do not beautify, idealise, slim, masculinise/feminise, age, or alter my facial features. Keep my natural appearance exactly as shown in the reference. The result should look like a real photograph of me taken in a professional photobooth. Create a **9-panel vertical photobooth contact sheet / photo strip**, arranged as a clean **3 × 3 grid**, inspired by the uploaded example. Each panel should look like an individual instant-film/photobooth photograph, with consistent lighting, camera quality, background, clothing, and identity across all nine images. ### Overall visual style * Ultra-photorealistic, high-end DSLR photography * Realistic skin texture, pores, fine facial hairs and natural imperfections * Realistic hair strands and texture * Natural photographic depth and lighting * White/off-white studio wall background * Soft, even studio flash lighting * Slight authentic film grain * Subtle analog/instant-camera character * Crisp but not artificially sharpened * Realistic shadows and reflections * Authentic printed photobooth/contact-sheet appearance * Thin white borders separating each photograph * Slightly imperfect candid expressions rather than polished fashion photography * No CGI appearance, no illustration, no cartoon effect, no plastic skin ### Clothing Keep me wearing a simple **black hoodie**, similar to the reference image. The hoodie should look like real fabric with natural folds and texture. Keep the outfit consistent throughout all nine panels. ### Helmet Include a **bright neon/lime green Formula 1-style racing helmet** with black graphic patterns and realistic glossy reflections. The helmet should look like a real professional racing helmet, with: * glossy neon green shell * intricate black graphic patterns * realistic visor * realistic ventilation details * authentic helmet proportions * realistic reflections from the studio lights **Do not copy any specific driver's face, branding, signature, or identity.** The helmet should simply have the same general neon-green, playful racing aesthetic as the reference. ### 9 individual poses **Panel 1:** I face the camera normally with a relaxed, slightly playful expression. Natural eye contact with the camera. **Panel 2:** I hold the racing helmet beside my head, partially covering one side of my face. My expression is playful and slightly mischievous. **Panel 3:** I hold the helmet directly in front of most of my face, with only part of my face visible. One hand is naturally positioned around the helmet. **Panel 4:** The helmet is slightly above/away from me while I look upward toward it with a surprised, amused expression. One hand is raised as if reacting to it. **Panel 5:** Place the helmet playfully on top of my head like a hat. I look directly at the camera with a subtle amused smile. Make sure the helmet sits naturally on my head and does not distort my head or face. **Panel 6:** I pose with both hands against my cheeks, making a cute/playful surprised expression. The helmet is not covering my face. **Panel 7:** I turn slightly away from the camera while wearing the helmet, showing the back/side of the helmet. My face should be mostly hidden naturally. **Panel 8:** I hold the helmet close to the camera in the foreground while my face is visible behind it. Use realistic photographic depth of field: helmet slightly closer/larger, my face naturally in focus enough to remain recognisable. **Panel 9:** I playfully hide most of my face behind the helmet, with only part of my face and one eye visible. Keep the pose candid and natural. ### IMPORTANT IDENTITY RULES Use the uploaded reference photo to maintain my identity across **every single panel**. My identity must remain completely consistent from panel to panel. Do not generate nine different versions of me. Do NOT: * change my facial structure * change my skin tone * change my eye shape or colour * change my nose or lips * change my jawline * change my face shape * change my natural hair texture or hairline * make me thinner or more conventionally attractive * add makeup unless it is already visible in my reference photo * smooth my skin excessively * create a generic AI face * blend my face with another person's features * introduce asymmetry or facial distortions * create extra fingers or malformed hands * distort the helmet * distort the eyes or facial features * make the images look AI-generated The final result should genuinely look like **a real 9-photo photobooth strip of me**, photographed in a studio with the same person, same appearance, same clothing, and same realistic photographic characteristics throughout. **Composition:** 3 columns × 3 rows, all nine panels fully visible, evenly aligned, consistent white borders, portrait-oriented photographs, clean contact-sheet layout. **Final priority:** photorealism + exact identity preservation + natural expressions + realistic helmet + authentic photobooth photography.

12 A2 Madhumitha Kumar@12 A2 Madhumitha Kumar
一个家庭图片
nano-banana

一个家庭图片

m@maonan
create pop-art image about french bulldog made from circles, each circle should be the same size, circles cant overlap, it should contain 10 colours: red, orange, yellow, lightblue, grey, white, black, purple, pink, green only use these plain colours no other shades etc allowed, use approximatly 3800 circles to create the image, circles in diagonal pattern, no circles should overlap, all circle must be seen fully
nano-banana

create pop-art image about french bulldog made from circles, each circle should be the same size, circles cant overlap, it should contain 10 colours: red, orange, yellow, lightblue, grey, white, black, purple, pink, green only use these plain colours no other shades etc allowed, use approximatly 3800 circles to create the image, circles in diagonal pattern, no circles should overlap, all circle must be seen fully

GL@Gáspár Lénárt
create pop-art image about french bulldog made from circles, each circle should be the same size, circles cant overlap, it should contain 10 colours: red, orange, yellow, lightblue, grey, white, black, purple, pink, green only use these plain colours no other shades etc allowed, use approximatly 3800 circles to create the image
nano-banana

create pop-art image about french bulldog made from circles, each circle should be the same size, circles cant overlap, it should contain 10 colours: red, orange, yellow, lightblue, grey, white, black, purple, pink, green only use these plain colours no other shades etc allowed, use approximatly 3800 circles to create the image

GL@Gáspár Lénárt
KJ
nano-banana

KJ

SS@Shadow Scythe
Enhance the portrait while strictly preserving the subject's identity with accurate facial geometry. Do not change their expression or face shape. Only allow subtle feature cleanup without altering who they are. Keep the exact same background from the reference image. No replacements, no changes, no new objects, no layout shifts. The environment must look identical. The image must be recreated as if it was shot on a Sony A1, using an 85mm f1.4 lens, at f1.6, ISO 100, 1/200 shutter speed
nano-banana-2

Enhance the portrait while strictly preserving the subject's identity with accurate facial geometry. Do not change their expression or face shape. Only allow subtle feature cleanup without altering who they are. Keep the exact same background from the reference image. No replacements, no changes, no new objects, no layout shifts. The environment must look identical. The image must be recreated as if it was shot on a Sony A1, using an 85mm f1.4 lens, at f1.6, ISO 100, 1/200 shutter speed

刘@刘文豪
放大這相片到3mb
nano-banana

放大這相片到3mb

MC@Marco Chui
Put the seal of the UK immigration on the second page Blur the first person's photo at the top of first page with the date 15 May 2030
nano-banana

Put the seal of the UK immigration on the second page Blur the first person's photo at the top of first page with the date 15 May 2030

MP@Mark Pearson
Put the seal of the UK immigration on the second page Blur the first person's photo at the top of first page
nano-banana

Put the seal of the UK immigration on the second page Blur the first person's photo at the top of first page

MP@Mark Pearson
Now put the seal of the UK immigration
nano-banana

Now put the seal of the UK immigration

SA@Saeed Abdolhosseini
Blur the person's photo on top
nano-banana

Blur the person's photo on top

SA@Saeed Abdolhosseini
husband and wife mad at each other, two children beside them
nano-banana

husband and wife mad at each other, two children beside them

VM@Vicente Moreno Murillo
create a picture of a man boarding a commercial plane and he is waving goodbye to his wife
nano-banana

create a picture of a man boarding a commercial plane and he is waving goodbye to his wife

VM@Vicente Moreno Murillo