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上传了一张户型图,现在厨房区域不改动,其他区域帮我布置一些桌椅,这个店是开麻辣烫店
トレンド #1nano-banana

上传了一张户型图,现在厨房区域不改动,其他区域帮我布置一些桌椅,这个店是开麻辣烫店

叶振华@叶振华
regénérer cette image mais avec les étagères de droite totalement vides sans aucun produit dessus
トレンド #2nano-banana-pro

regénérer cette image mais avec les étagères de droite totalement vides sans aucun produit dessus

jean-guy poinsot@jean-guy poinsot
en t'inspirant de la photo ci-jointe du rayon cosmétiques d'une pharmacie, créer une image d'une pharmacie de centre ville qui revend les produits CRYOM sur ses étagères. La boutique est lumineuse et premium. ne pas mettre la marque en très gros sur un bandeau supérieur. Respecter la taille des packaging et réduire  légèrement la hauteur des produits
トレンド #3nano-banana-pro

en t'inspirant de la photo ci-jointe du rayon cosmétiques d'une pharmacie, créer une image d'une pharmacie de centre ville qui revend les produits CRYOM sur ses étagères. La boutique est lumineuse et premium. ne pas mettre la marque en très gros sur un bandeau supérieur. Respecter la taille des packaging et réduire légèrement la hauteur des produits

jean-guy poinsot@jean-guy poinsot
1、图片整体提亮,不要过曝,材质质感提升和真实的光泽度;
2、左侧墙书柜颜色改成白色;
3、中间太空舱屏幕换一张质量高的太空图片;
4、太空舱右侧的展台改成圆形银色金属展台,台面是LED屏,展台正上方吊装一颗卫星。
トレンド #4nano-banana

1、图片整体提亮,不要过曝,材质质感提升和真实的光泽度; 2、左侧墙书柜颜色改成白色; 3、中间太空舱屏幕换一张质量高的太空图片; 4、太空舱右侧的展台改成圆形银色金属展台,台面是LED屏,展台正上方吊装一颗卫星。

yonghui wu@yonghui wu
上传了一张户型图,现在厨房区域不改动,其他区域帮我布置一些桌椅,这个店是开麻辣烫店
nano-banana

上传了一张户型图,现在厨房区域不改动,其他区域帮我布置一些桌椅,这个店是开麻辣烫店

叶@叶振华
regénérer cette image mais avec les étagères de droite totalement vides sans aucun produit dessus
nano-banana-pro

regénérer cette image mais avec les étagères de droite totalement vides sans aucun produit dessus

jp@jean-guy poinsot
en t'inspirant de la photo ci-jointe du rayon cosmétiques d'une pharmacie, créer une image d'une pharmacie de centre ville qui revend les produits CRYOM sur ses étagères. La boutique est lumineuse et premium. ne pas mettre la marque en très gros sur un bandeau supérieur. Respecter la taille des packaging et réduire  légèrement la hauteur des produits
nano-banana-pro

en t'inspirant de la photo ci-jointe du rayon cosmétiques d'une pharmacie, créer une image d'une pharmacie de centre ville qui revend les produits CRYOM sur ses étagères. La boutique est lumineuse et premium. ne pas mettre la marque en très gros sur un bandeau supérieur. Respecter la taille des packaging et réduire légèrement la hauteur des produits

jp@jean-guy poinsot
1、图片整体提亮,不要过曝,材质质感提升和真实的光泽度;
2、左侧墙书柜颜色改成白色;
3、中间太空舱屏幕换一张质量高的太空图片;
4、太空舱右侧的展台改成圆形银色金属展台,台面是LED屏,展台正上方吊装一颗卫星。
nano-banana

1、图片整体提亮,不要过曝,材质质感提升和真实的光泽度; 2、左侧墙书柜颜色改成白色; 3、中间太空舱屏幕换一张质量高的太空图片; 4、太空舱右侧的展台改成圆形银色金属展台,台面是LED屏,展台正上方吊装一颗卫星。

yw@yonghui wu
créer une image d'une parfumerie de centre ville qui revend les produits CRYOM sur ses étagères. La boutique est lumineuse et premium. ne pas mettre la marque en très gros sur un bandeau supérieur. Respecter la taille des packaging et réduire  légèrement la hauteur des produits
nano-banana-pro

créer une image d'une parfumerie de centre ville qui revend les produits CRYOM sur ses étagères. La boutique est lumineuse et premium. ne pas mettre la marque en très gros sur un bandeau supérieur. Respecter la taille des packaging et réduire légèrement la hauteur des produits

jp@jean-guy poinsot
在整组作品中使用同一位美丽的成年韩国女性,保持直接眼神接触,逼真的皮肤纹理,柔软自然的头发,以及感性却自然的呈现。她穿着简约的无袖夏季厨房连衣裙,颜色为象牙白或柔和奶油色,搭配轻薄围裙和精致的头巾。场景设定为精致的复古Shaker风格厨房,配备蘑菇灰色橱柜、深胡桃木台面、温暖的灰色石质表面、细致的黄铜五金,以及清澈的夏季日光,坐在台面上,一条长腿伸展,另一只脚放在凳子上,向观众递出一片草莓蛋,视角分别是上下左右。
gpt-image-25-flare

在整组作品中使用同一位美丽的成年韩国女性,保持直接眼神接触,逼真的皮肤纹理,柔软自然的头发,以及感性却自然的呈现。她穿着简约的无袖夏季厨房连衣裙,颜色为象牙白或柔和奶油色,搭配轻薄围裙和精致的头巾。场景设定为精致的复古Shaker风格厨房,配备蘑菇灰色橱柜、深胡桃木台面、温暖的灰色石质表面、细致的黄铜五金,以及清澈的夏季日光,坐在台面上,一条长腿伸展,另一只脚放在凳子上,向观众递出一片草莓蛋,视角分别是上下左右。

jr@jinl ren
Create ONE vertical 3:4 premium fashion campaign photograph, not a collage, as a scene compositing transformation of the supplied bicycle product reference. Reference 1 defines the EXACT bicycle geometry and all component shapes; keep that geometry, stance and part layout unchanged. Reference 2 shows the same bicycle in the DEEP GREEN paint scheme and is used ONLY for that finish, its metallic depth and its headtube treatment; Reference 3 is the authoritative custom LAPO logo outline, only for small on-frame branding. One original fictional ADULT model, one unfolded bicycle. Preserve bicycle shape accurately: small equal wheels each THREE broad spokes, curved mainbeam, slender long seatpost and hollow saddle, tall curved stem, black fork, round rear folding joints, realistic connected drivetrain and chain. No generic diamond frame, extra tubes, wrong wheels, duplicated parts. Bike has both tires grounded and is stabilized at the explicitly described hand contact. No riding, pushing, lifting, floating, impossible balance. Black parts remain black; metallic short headtube only follows reference. Reproduce small custom LAPO outline on REAR half of mainbeam near seatpost, open stylized A and separated P stem, not a standard typed font. Full bike fits clearly and realistically in shot. Human face prominent and memorable, believable weight and fingers, couture editorial posture. Ground contact shadows physically agree with light. Person, fabric and bicycle remain separable, no garment inside wheels or chain. Visceral high-end fashion photograph, realistic pores, tactile materials, photographic lighting not plastic CGI, thoughtful installation-like visual event. No title, no large logo, no unrelated brand or watermark, no extra people. Paint scheme DEEP GREEN: deep forest-green metallic frame with a matching deep-green metallic short headtube shell, a dark chain and a small light wordmark on the mainbeam, metallic depth matched to Reference 1. Long stem, fork, seatpost, saddle, cranks and the three-broad-spoke wheels stay black. A fictional adult woman age 42, fair skin, silver bob, minimal makeup, direct level eyes. Wearing a bone linen shirt-dress with flat sandals and a thin chain belt. Pose: she stands motionless with one hand on the saddle, weight on one leg, eyes to the far horizon. Set: a salt flat under a thin film of water, the horizon almost erased. The sky falls into the shallow layer beneath them so the person and the bicycle appear suspended between two skies, real and reflected. Low camera slightly below the waist line, the grown model occupying about half of the frame with the complete unfolded bicycle fully visible across the lower half. The bicycle faces the LEFT side of the frame, seen from its DRIVE side, chainring, chain and rear derailleur toward camera. Any wordmark visible on the frame must read correctly left to right, never mirrored or reversed. Both tires ON the ground, the complete unfolded bicycle readable across the frame, no motion blur, one edited finished photograph.
gpt-image-25-sunburst

Create ONE vertical 3:4 premium fashion campaign photograph, not a collage, as a scene compositing transformation of the supplied bicycle product reference. Reference 1 defines the EXACT bicycle geometry and all component shapes; keep that geometry, stance and part layout unchanged. Reference 2 shows the same bicycle in the DEEP GREEN paint scheme and is used ONLY for that finish, its metallic depth and its headtube treatment; Reference 3 is the authoritative custom LAPO logo outline, only for small on-frame branding. One original fictional ADULT model, one unfolded bicycle. Preserve bicycle shape accurately: small equal wheels each THREE broad spokes, curved mainbeam, slender long seatpost and hollow saddle, tall curved stem, black fork, round rear folding joints, realistic connected drivetrain and chain. No generic diamond frame, extra tubes, wrong wheels, duplicated parts. Bike has both tires grounded and is stabilized at the explicitly described hand contact. No riding, pushing, lifting, floating, impossible balance. Black parts remain black; metallic short headtube only follows reference. Reproduce small custom LAPO outline on REAR half of mainbeam near seatpost, open stylized A and separated P stem, not a standard typed font. Full bike fits clearly and realistically in shot. Human face prominent and memorable, believable weight and fingers, couture editorial posture. Ground contact shadows physically agree with light. Person, fabric and bicycle remain separable, no garment inside wheels or chain. Visceral high-end fashion photograph, realistic pores, tactile materials, photographic lighting not plastic CGI, thoughtful installation-like visual event. No title, no large logo, no unrelated brand or watermark, no extra people. Paint scheme DEEP GREEN: deep forest-green metallic frame with a matching deep-green metallic short headtube shell, a dark chain and a small light wordmark on the mainbeam, metallic depth matched to Reference 1. Long stem, fork, seatpost, saddle, cranks and the three-broad-spoke wheels stay black. A fictional adult woman age 42, fair skin, silver bob, minimal makeup, direct level eyes. Wearing a bone linen shirt-dress with flat sandals and a thin chain belt. Pose: she stands motionless with one hand on the saddle, weight on one leg, eyes to the far horizon. Set: a salt flat under a thin film of water, the horizon almost erased. The sky falls into the shallow layer beneath them so the person and the bicycle appear suspended between two skies, real and reflected. Low camera slightly below the waist line, the grown model occupying about half of the frame with the complete unfolded bicycle fully visible across the lower half. The bicycle faces the LEFT side of the frame, seen from its DRIVE side, chainring, chain and rear derailleur toward camera. Any wordmark visible on the frame must read correctly left to right, never mirrored or reversed. Both tires ON the ground, the complete unfolded bicycle readable across the frame, no motion blur, one edited finished photograph.

KM@Knife Ma
Create ONE vertical 3:4 premium fashion campaign photograph, not a collage, as a scene compositing transformation of the supplied bicycle product reference. Reference 1 defines the EXACT bicycle geometry and all component shapes; keep that geometry, stance and part layout unchanged. Reference 2 shows the same bicycle in the DEEP GREEN paint scheme and is used ONLY for that finish, its metallic depth and its headtube treatment; Reference 3 is the authoritative custom LAPO logo outline, only for small on-frame branding. One original fictional ADULT model, one unfolded bicycle. Preserve bicycle shape accurately: small equal wheels each THREE broad spokes, curved mainbeam, slender long seatpost and hollow saddle, tall curved stem, black fork, round rear folding joints, realistic connected drivetrain and chain. No generic diamond frame, extra tubes, wrong wheels, duplicated parts. Bike has both tires grounded and is stabilized at the explicitly described hand contact. No riding, pushing, lifting, floating, impossible balance. Black parts remain black; metallic short headtube only follows reference. Reproduce small custom LAPO outline on REAR half of mainbeam near seatpost, open stylized A and separated P stem, not a standard typed font. Full bike fits clearly and realistically in shot. Human face prominent and memorable, believable weight and fingers, couture editorial posture. Ground contact shadows physically agree with light. Person, fabric and bicycle remain separable, no garment inside wheels or chain. Visceral high-end fashion photograph, realistic pores, tactile materials, photographic lighting not plastic CGI, thoughtful installation-like visual event. No title, no large logo, no unrelated brand or watermark, no extra people. Paint scheme DEEP GREEN: deep forest-green metallic frame with a matching deep-green metallic short headtube shell, a dark chain and a small light wordmark on the mainbeam, metallic depth matched to Reference 1. Long stem, fork, seatpost, saddle, cranks and the three-broad-spoke wheels stay black. A fictional adult woman age 27, warm brown skin, long straight hair over one shoulder, warm neutral expression. Wearing an oversized white cotton shirt with grey-blue straight trousers and coral sneakers. Pose: she stands inside the last dark bay, both hands on the handlebar, feet together, looking out at the light. Set: an old railway-station arcade with a terrazzo floor, one long row of steel columns receding. Repeated pools of light lie on the terrazzo from the column spacing, and the last pool stops just short of her. Low camera slightly below the waist line, the grown model occupying about half of the frame with the complete unfolded bicycle fully visible across the lower half. The bicycle faces the RIGHT side of the frame, seen from its DRIVE side, chainring, chain and rear derailleur toward camera. Any wordmark visible on the frame must read correctly left to right, never mirrored or reversed. Both tires ON the ground, the complete unfolded bicycle readable across the frame, no motion blur, one edited finished photograph.
gpt-image-25-sunburst

Create ONE vertical 3:4 premium fashion campaign photograph, not a collage, as a scene compositing transformation of the supplied bicycle product reference. Reference 1 defines the EXACT bicycle geometry and all component shapes; keep that geometry, stance and part layout unchanged. Reference 2 shows the same bicycle in the DEEP GREEN paint scheme and is used ONLY for that finish, its metallic depth and its headtube treatment; Reference 3 is the authoritative custom LAPO logo outline, only for small on-frame branding. One original fictional ADULT model, one unfolded bicycle. Preserve bicycle shape accurately: small equal wheels each THREE broad spokes, curved mainbeam, slender long seatpost and hollow saddle, tall curved stem, black fork, round rear folding joints, realistic connected drivetrain and chain. No generic diamond frame, extra tubes, wrong wheels, duplicated parts. Bike has both tires grounded and is stabilized at the explicitly described hand contact. No riding, pushing, lifting, floating, impossible balance. Black parts remain black; metallic short headtube only follows reference. Reproduce small custom LAPO outline on REAR half of mainbeam near seatpost, open stylized A and separated P stem, not a standard typed font. Full bike fits clearly and realistically in shot. Human face prominent and memorable, believable weight and fingers, couture editorial posture. Ground contact shadows physically agree with light. Person, fabric and bicycle remain separable, no garment inside wheels or chain. Visceral high-end fashion photograph, realistic pores, tactile materials, photographic lighting not plastic CGI, thoughtful installation-like visual event. No title, no large logo, no unrelated brand or watermark, no extra people. Paint scheme DEEP GREEN: deep forest-green metallic frame with a matching deep-green metallic short headtube shell, a dark chain and a small light wordmark on the mainbeam, metallic depth matched to Reference 1. Long stem, fork, seatpost, saddle, cranks and the three-broad-spoke wheels stay black. A fictional adult woman age 27, warm brown skin, long straight hair over one shoulder, warm neutral expression. Wearing an oversized white cotton shirt with grey-blue straight trousers and coral sneakers. Pose: she stands inside the last dark bay, both hands on the handlebar, feet together, looking out at the light. Set: an old railway-station arcade with a terrazzo floor, one long row of steel columns receding. Repeated pools of light lie on the terrazzo from the column spacing, and the last pool stops just short of her. Low camera slightly below the waist line, the grown model occupying about half of the frame with the complete unfolded bicycle fully visible across the lower half. The bicycle faces the RIGHT side of the frame, seen from its DRIVE side, chainring, chain and rear derailleur toward camera. Any wordmark visible on the frame must read correctly left to right, never mirrored or reversed. Both tires ON the ground, the complete unfolded bicycle readable across the frame, no motion blur, one edited finished photograph.

KM@Knife Ma
Create ONE vertical 3:4 premium fashion campaign photograph, not a collage, as a scene compositing transformation of the supplied bicycle product reference. Reference 1 defines the EXACT bicycle geometry and all component shapes; keep that geometry, stance and part layout unchanged. Reference 2 shows the same bicycle in the DEEP GREEN paint scheme and is used ONLY for that finish, its metallic depth and its headtube treatment; Reference 3 is the authoritative custom LAPO logo outline, only for small on-frame branding. One original fictional ADULT model, one unfolded bicycle. Preserve bicycle shape accurately: small equal wheels each THREE broad spokes, curved mainbeam, slender long seatpost and hollow saddle, tall curved stem, black fork, round rear folding joints, realistic connected drivetrain and chain. No generic diamond frame, extra tubes, wrong wheels, duplicated parts. Bike has both tires grounded and is stabilized at the explicitly described hand contact. No riding, pushing, lifting, floating, impossible balance. Black parts remain black; metallic short headtube only follows reference. Reproduce small custom LAPO outline on REAR half of mainbeam near seatpost, open stylized A and separated P stem, not a standard typed font. Full bike fits clearly and realistically in shot. Human face prominent and memorable, believable weight and fingers, couture editorial posture. Ground contact shadows physically agree with light. Person, fabric and bicycle remain separable, no garment inside wheels or chain. Visceral high-end fashion photograph, realistic pores, tactile materials, photographic lighting not plastic CGI, thoughtful installation-like visual event. No title, no large logo, no unrelated brand or watermark, no extra people. Paint scheme DEEP GREEN: deep forest-green metallic frame with a matching deep-green metallic short headtube shell, a dark chain and a small light wordmark on the mainbeam, metallic depth matched to Reference 1. Long stem, fork, seatpost, saddle, cranks and the three-broad-spoke wheels stay black. A fictional adult woman age 36, deep brown skin, braided hair gathered high, cool unimpressed gaze. Wearing a structured white sleeveless top with wide black trousers, flat sandals, a thin gold bangle. Pose: she stands very upright at the parapet with the bicycle held beside her, one hand on the grip, hem lifting in the wind. Set: the outer edge of a high roof with a construction-crane skyline compressed between her and the bicycle. Hard light from behind the camera compresses the crane skyline into the gap between the two silhouettes, and one corner of fabric swings toward the lens. Low camera slightly below the waist line, the grown model occupying about half of the frame with the complete unfolded bicycle fully visible across the lower half. The bicycle faces the LEFT side of the frame, seen from its DRIVE side, chainring, chain and rear derailleur toward camera. Any wordmark visible on the frame must read correctly left to right, never mirrored or reversed. Both tires ON the ground, the complete unfolded bicycle readable across the frame, no motion blur, one edited finished photograph.
gpt-image-25-sunburst

Create ONE vertical 3:4 premium fashion campaign photograph, not a collage, as a scene compositing transformation of the supplied bicycle product reference. Reference 1 defines the EXACT bicycle geometry and all component shapes; keep that geometry, stance and part layout unchanged. Reference 2 shows the same bicycle in the DEEP GREEN paint scheme and is used ONLY for that finish, its metallic depth and its headtube treatment; Reference 3 is the authoritative custom LAPO logo outline, only for small on-frame branding. One original fictional ADULT model, one unfolded bicycle. Preserve bicycle shape accurately: small equal wheels each THREE broad spokes, curved mainbeam, slender long seatpost and hollow saddle, tall curved stem, black fork, round rear folding joints, realistic connected drivetrain and chain. No generic diamond frame, extra tubes, wrong wheels, duplicated parts. Bike has both tires grounded and is stabilized at the explicitly described hand contact. No riding, pushing, lifting, floating, impossible balance. Black parts remain black; metallic short headtube only follows reference. Reproduce small custom LAPO outline on REAR half of mainbeam near seatpost, open stylized A and separated P stem, not a standard typed font. Full bike fits clearly and realistically in shot. Human face prominent and memorable, believable weight and fingers, couture editorial posture. Ground contact shadows physically agree with light. Person, fabric and bicycle remain separable, no garment inside wheels or chain. Visceral high-end fashion photograph, realistic pores, tactile materials, photographic lighting not plastic CGI, thoughtful installation-like visual event. No title, no large logo, no unrelated brand or watermark, no extra people. Paint scheme DEEP GREEN: deep forest-green metallic frame with a matching deep-green metallic short headtube shell, a dark chain and a small light wordmark on the mainbeam, metallic depth matched to Reference 1. Long stem, fork, seatpost, saddle, cranks and the three-broad-spoke wheels stay black. A fictional adult woman age 36, deep brown skin, braided hair gathered high, cool unimpressed gaze. Wearing a structured white sleeveless top with wide black trousers, flat sandals, a thin gold bangle. Pose: she stands very upright at the parapet with the bicycle held beside her, one hand on the grip, hem lifting in the wind. Set: the outer edge of a high roof with a construction-crane skyline compressed between her and the bicycle. Hard light from behind the camera compresses the crane skyline into the gap between the two silhouettes, and one corner of fabric swings toward the lens. Low camera slightly below the waist line, the grown model occupying about half of the frame with the complete unfolded bicycle fully visible across the lower half. The bicycle faces the LEFT side of the frame, seen from its DRIVE side, chainring, chain and rear derailleur toward camera. Any wordmark visible on the frame must read correctly left to right, never mirrored or reversed. Both tires ON the ground, the complete unfolded bicycle readable across the frame, no motion blur, one edited finished photograph.

KM@Knife Ma
Car (seat)
nano-banana

Car (seat)

JK@Jennifer Kinne
Car (seat)
nano-banana

Car (seat)

JK@Jennifer Kinne
The image can be made even better if in the uphill behind  the concret square slabs are all laid down horizontally. On the right where two persons walk there is no pathway
nano-banana

The image can be made even better if in the uphill behind the concret square slabs are all laid down horizontally. On the right where two persons walk there is no pathway

L@Lilac
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